506 Destiny of the Daleks: Episode One

EPISODE: Destiny of the Daleks: Episode One
OVERALL EPISODE NUMBER: 506
STORY NUMBER: 104
TRANSMITTED: Saturday 01 September 1979
WRITER: Terry Nation
DIRECTOR: Ken Grieve
SCRIPT EDITOR: Douglas Adams
PRODUCER: Graham Williams
RATINGS: 13 million viewers
FORMAT: DVD: Doctor Who - Destiny Of The Daleks

"I believe the planet is called Skaro."

Destiny of the Daleks is the first story of season 17, and was extensively trailed & publicised in advance: First story of the new season, a new companion and the return of the Daleks! A specially shot trailer with Tom Baker being told by a disembodied voice that he can expect to encounter the Daleks. The trailer is on Doctor Who - Destiny Of The Daleks DVD.

There's a small oddity on the titles of this story. Where we've seen the word "part" since Time Warrior Part 1 we now, for this story only, revert to "episode" which was in use from The Savage, where episode numbers started replacing the previously used individual episode titles, right the way through to The Green Death Episode Six.

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In the Tardis, the Doctor is trying to repair K-9, who is suffering from laryngitis.

Regular K-9 voice actor John Leeson had left the show at the end of the Sixteenth season. His replacement David Brierly had already been cast, but to save the expense of paying him for a few brief scenes regular Dalek voice actor Roy Skelton provides K-9's ahhhs here as the Doctor examines him.

K-9 is excluded from the story because Terry Nation didn't want to have him in the same show as his own mechanical creations.

The Doctor encounters someone he believes is Princess Astra of Atrios. However it turns out to be a newly regenerated Romana. He tells her she can't wear a copy of someone else's body but after rejecting a number of other options, and Romana returning to that form, he accepts it when she dresses in a replica of his costume.

Following the Armageddon Factor, Mary Tamm who had played Romana left the series because she felt her role hadn't developed as planned. However since Romana was a Time Lord it would be easy to just regenerate & recast her..... Tamm recommended Lalla Ward, who had played Princess Astra, the sixth segment of the Key to Time in The Armageddon Factor. She accepted and was cast as the second incarnation of Romana. This is her first on screen appearance but due to the scrambled nature of the production order for this season her third story, the Creature from the Pit, was filmed first followed by her second, The City of Death then Destiny of the Daleks, which opens the season.

The costumes worn by the small Romana actress, Yvonne Gallagher, was previously worn by Zilda in Robots of Death.

The other two Romanas are played by, in order, Lee Richards then Maggy Armitage.

The Tardis, guided by the randomiser, lands them on a rocky planet with a high level of radiation & seismic activity. The Doctor issues Romana with anti radiation pills. When then step out onto the surface the Doctor experiences a sense of Deja Vu, and feels he's been there before.

ROMANA: Not the most inviting planet. What is it?
DOCTOR: I don't know. A feeling I've been here before.
ROMANA: Déjà vu?
DOCTOR: Oui.
ROMANA: There's something you recognise?
DOCTOR: Nothing tangible. I just have a sensation. A pervading air of. Can you feel it too?
ROMANA: Shall we go back inside?
DOCTOR: What, and never know where I've been until the end of time? I wouldn't sleep at night. Come on.

Things Phil learnt from Doctor Who: what Deja Vu means.

Things Phil learnt from Doctor Who that are wrong: Radiation's effects on the human body can by overcome with medication. Actually this one harks back to the very first Dalek story where the Thals have anti radiation medication. An early clue to long standing viewers as to where the Doctor & Romana might be!

Doctor Who had used the rocky quarry location in this story before: Winspit Quarry was used as a location in the Underwater Menace and, as the linked location photos show, one of the shots used in this episode appears to use exactly the same cave entrance as in the previous story.

The Doctor takes an interest in the rocks:

DOCTOR: Interesting.
ROMANA: Precious stones?
DOCTOR: Very precious. In a geological sense, more precious than diamonds, but I'd need a bigger bit. Ah ha! Ha ha! I was right.
ROMANA: How modest.
DOCTOR: Well then, see what you make of it.
ROMANA: A composite material. Gravel in a binding of possibly limestone and clay.
DOCTOR: Limestone and clay making?
ROMANA: Add water, cement.
DOCTOR: Add gravel.
ROMANA: Concrete.
DOCTOR: You know something? You've got all the makings of a first class navvy. Concrete. Manufactured. Look! The ruins of a city?

They find ruined buildings then a high pitched whine strikes up along with shaking ground. They witness a party of weary humanoids burying a body in a cairn of broken stones.

One of the burial party appears to be wearing the costume of one of the Sisterhood of Khan from the Brain of Morbius.

The corpse meanwhile is wearing another Robots of Death costume, the one used by Dask.

The Doctor excavates the body.

ROMANA: Yes, you did. What did you find out?
DOCTOR: The deceased was a combat pilot serving with the Third Galactic Fleet of the planet Kantra.
ROMANA: Kantra? Kantra's a tropical paradise.
DOCTOR: Yes.
ROMANA: What's a Kantrian doing dying here?
DOCTOR: What's very odd, he died of exhaustion and malnutrition.
ROMANA: It's not surprising in a place like this.
DOCTOR: Except, wouldn't you have expected him to have died of radiation first?
ROMANA: Look!

The Doctor & Romana witness a ship coming into land and burying itself in a sandy surface.

The second, more sandy, location used for this episode is Binnegar Heath Sand Pit, also in Dorset, and near to locations used for Death to the Daleks & Caves of Androzani.

The model work in this sequence is fantastic, far beyond anything seen in the series so far.

As the Doctor & Romana approach the space ship they are driven away by a number of explosions.

The Destiny Of The Daleks DVD adds laser blasts to this sequence, because DVD producer John Kelly believed the explosions are being generated by the recently landed space ship. I think he has since acknowledged he made an error here!

The Doctor & Romana flee to the ruined buildings where the Doctor deduces the explosions are caused by underground drilling, but the blasts dislodge a pillar which collapses trapping the Doctor.

He dispatches Romana to the Tardis while he settles down with a book.

DOCTOR: Origins of the Universe. Ha, ha. He got it wrong on the first line! Tut. Why didn't he ask someone who saw it happen?

The book is written by Oolon Colluphid, a fictional author frequently mentioned in the The Hitch Hiker's Guide to the Galaxy Books, radio & TV series, as written by new Doctor Who script editor Douglas Adams.

As she nears the Tardis Romana is stalked by a pale dishevelled figure.

She arrives just in time to see another spate of drilling dislodge overhanging rock, burying the Tardis under tons of rubble. As she does a bleeper goes off reminding her that she is due another anti-radiation pill. The Doctor takes his, and further pours scorn on the book he is reading. He is surprised by the arrival of three white clad humanoids.

When Romana returns she finds the Doctor gone, his book abandoned. Surprised by the man who has been following her she backs away and slips down a shaft. He ties a rope to a pillar and begins to mount a rescue attempt. Taken to the spaceship they saw land earlier, the Doctor learns from his rescuers which planet he's on:

DOCTOR: I must say how grateful I am to you charming people. I repeat how grateful I am to you charming people. You lifted that column off me as though it were a matchstick. I can't think for the life of me where you keep your muscles.
SHARREL: It is an essential qualification that all crew members are in peak condition.
DOCTOR: Oh, I see. Yes, part of their training, is it? Well, excuse me. Well now, I told you a little bit about myself. What about you? What brings you to, what's this planet called, by the way?
SHARREL: You don't know?
DOCTOR: No, no, I had a little trouble with my directional equipment.
SHARREL: You made a forced landing?
DOCTOR: Yes, well, something of the sort.
SHARREL: Not a world one would visit from choice.
DOCTOR: No.
SHARREL: The planet is listed in our star catalogue as D5 gamma zed alpha.
DOCTOR: Well, that's not much help. See, I'm terribly old-fashioned. I prefer names.
SHARREL: I believe the planet is called Skaro.
DOCTOR: Skaro?
SHARREL: You know it?
DOCTOR: What are you doing here?
SHARREL: The nature of our mission is secret. You'll understand, I'm sure.
DOCTOR: No, I don't understand. Why are you here on Skaro?

The Doctor's sense of Deja Vu was right: he's been to Skaro twice before in The Daleks, the second story of the whole series where he first encountered his arch enemies, and again in The Evil of The Daleks, where the second Doctor believed he saw them destroyed.

It's a little amusing that on the first trip using the randomiser, installed to prevent the Black Guardian from tracking them, that the Tardis lands somewhere familiar!

Romana awakes in a confined space at the bottom of the shaft she fell down. As she explores her surroundings the black mirrored walls start to shake. As her pursuer prepares to descend the shaft to rescue her, the walls shatter.

Romana is quickly surrounded by Daleks.

DALEKS: Do not move! Do not move! Do not move! Do not move! Do not move! Do not move! You are our prisoner! Do not move! You are our prisoner!

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Right at the start of the first blog I said the end of this episode scared me to death as a child, so much so that I didn't come back for three weeks and then only to see the Daleks getting blown up to try to cure the fear of the creatures and the program which had built up. As a six year old watching this I knew the Daleks were coming: I'd seen the trailers, I could read the title at the start of the episode. The experience watching it was ratcheting up the tension all the way through. When are they going to appear? Are they hiding behind that rock? Then at then end they come through the ****ing walls! Nowhere is safe any more! They could do that tonight in my bedroom. The end of Destiny of the Daleks 1 is *THE* real "Behind the Sofa" moment for me with Doctor Who. You talk about Doctor Who and being afraid and this is what I think of: The six year old me coming face to face with the Daleks in the series proper for the first time.

This episode notched up an incredible 13 million viewers, thanks to a strike at ITV! Technicians walked out on 10th August not returning to work till October 24th, and in the process gifting Doctor Who it's largest viewing figures ever during this period. Unfortunately at the end of the season BBC technicians would have their revenge.....

Has a companion ever had a better introductory episode though? Yes we know who Romana is, but we're meeting this new one for the first time. In effect this episode is a virtual two hander between herself and the Doctor. No other character speaks until the last few minutes of the program: then there's only four speaking roles, including The Doctor & Romana, and one of them is only heard in the dying moments of the episode. The Doctor & Romana, and the interplay between them, completely carries this episode. There's music as per normal, but the atmospheric howling wind played over the location material really adds something to the feel and the ruined building interiors are just fabulous sets.

I love it. Destiny of the Daleks is my favourite Doctor Who story, not necessarily the one that I think is the best, but my personal favourite. And this is probably my favourite episode of the four.

505 The Armageddon Factor: Part Six

EPISODE: The Armageddon Factor: Part Six
OVERALL EPISODE NUMBER: 505
STORY NUMBER: 103
TRANSMITTED: Saturday 24 February 1979
WRITER: Bob Baker & Dave Martin
DIRECTOR: Michael Hayes
SCRIPT EDITOR: Anthony Read
PRODUCER: Graham Williams
RATINGS: 9.6 million viewers
FORMAT: DVD: Doctor Who - The Key to Time Box Set (Ribos Operation/Pirate Planet/Stones of Blood/Androids of Tara/Power of Kroll/The Armageddon Factor)

"Doctor, you shall die for this! I shall destroy you for this! I will disperse every particle of your being to the furthest reaches of eternity!"

Drax turns the gun on himself, shrinking himself to a minuscule height the same as the Doctor. The Doctor berates him: the gun was meant for the Shadow's mute servants, not them. The Tardis door has been left open but the Shadow cannot enter because of the light within and sends a servant to retrieve the key. As Astra reveals she is the sixth child of the sixth dynasty of the sixth royal house of Atrios, Romana realises she is the sixth segment, a conclusion Merak comes to at the same time, forcing a Mute servant to take him to the Shadow's planet. He arrives too late to prevent Astra's transformation into the sixth segment but the Doctor & Drax enter the Shadow's lair using a seemingly Shadow controlled K-9 as a Trojan Horse. They restore themselves to full size seizing the segment and the key. A delirious Merak searches for Astra, returning to Atrios while the others go to Zeos. The Doctor erects a force shield deflecting the missiles from the Marshal's ship, which has become free from the Time Loop, into the Shadow's planet destroying it. The Doctor completes the Key as the White Guardian arrives to claim it but the Doctor realises it is the Black Guardian in disguise. Realising the White Guardian has had the necessary time to use the Key he disperses it to the corners of the universe, with the sixth segment returning to Atrios restored as Princess Astra. The Doctor fits a Randomiser to the Tardis' guidance systems to prevent the Black Guardian from tracking them and exacting his revenge.

Well.... Shall we start at the beginning?

The shrinking get out to "Drax shooting the Doctor" was vaguely hinted at last unit with repeated references to dimensional stabilisers and you can see the effect of the Doctor reducing in size at the end of episode 5 if you look carefully but it was still a surprise at the time. Shrinking is another Doctor Who staple having been used in Planet of Giants, The Faceless Ones where it's a method of imprisonment, Carnival of Monsters and as recently as the previous year in Invisible Enemy. The shrinking, and the using K-9 as a Trojan Horse really stands out in my memory of this episode from seeing it in my youth.

But the main thrust of the episode is revealing what the sixth segment of the Key to Time is:

ASTRA: My destiny is here, in this place. Not on Atrios, not on Zeos. Here.
ROMANA: Astra, listen. You're not under the Shadow's influence any more. Now, let's get out of here before he comes back.
ASTRA: No, I must stay. I am the sixth princess of the sixth dynasty of the sixth Royal House of Atrios.
ROMANA: Yes, yes, but we must get out of here before the Shadow comes back!
ASTRA: This is the time of my becoming, my transcendence.
ROMANA: What are you talking about?
ASTRA: Metamorphosis.

Laying the clues on a bit heavy there. The thing is we have this from an earlier episode:

ASTRA: I don't know! I don't know, I tell you.
SHADOW: You must know. You are a daughter of the Royal House of Atrios.
ASTRA: Yes, and I tell you, whoever you are, that I've never heard of the sixth segment or the sixth anything!
SHADOW: And I tell you, Princess, the secret has been passed down through generation after generation of the Royal House, and since you are the sole surviving member of the line, you must know and you will tell me, if I have to tear it from the living fibre of your very being. Do you understand?
ASTRA: Yes. And if I knew, I would tell you.

Which doesn't quite match up. Throwing a few things into earlier episodes about the sixes in Astra's lineage might have helped as clues but it doesn't come up till the sixth episode of the sixth story! The only thing we get earlier on in the tale is the tracer getting a signal off of her headband:

ROMANA: And then Merak said he found this. It's Astra's. The strange thing is, it gives off a very faint signal on the tracer. It's obviously not the sixth segment, so what is it?
DOCTOR: Well, I'd say it's been in touch with the sixth segment, wouldn't you?
ROMANA: Well, yes

Merak then nicks the Tracer to find Astra but after that, nothing.

Romana gets the hints that are bing dropped quite quickly though:

ASTRA: Destiny. My destiny is near.
ROMANA: Astra, remember you're the sixth princess of the sixth Royal House of the sixth dynasty. And we're looking for the sixth segment of the Key to Time. Oh, you're in greater danger even than we imagined.

And the sixths keep on coming laying it on really heavy.

SHADOW: You see, Princess, you cannot escape your destiny.
ASTRA: My destiny.
SHADOW: It is for this that you were born. The sixth child of the sixth generation of the sixth dynasty of Atrios. Born to be the sixth and final segment of the Key to Time. Come, Princess, prepare yourself.
ASTRA: I am ready.

Till finally Astra is transformed

Did the Doctor know Astra was the sixth segment? He prevents her from touching the key in the previous episode, claiming it was hot, but had he actually figured it out and was trying to prevent her transformation.

ROMANA: Right, I'll set the coordinates for Gallifrey, shall I?
DOCTOR: Why Gallifrey?
ROMANA: Well, that's where we're going, isn't it?
DOCTOR: We have the power to do anything we like. Absolute power over every particle in the universe. Everything that has ever existed or ever will exist. As from this moment are you listening to me, Romana?
ROMANA: Yes, of course I'm listening.
DOCTOR: Because if you're not listening I can make you listen, because I can do anything.

DOCTOR: As from this moment there's no such thing as free will in the entire universe. There's only my will, because I possess the Key to Time!
ROMANA: Doctor, are you all right?
DOCTOR: Well of course I'm all right. But supposing I wasn't all right. This thing makes me feel in such a way I'd be very worried if I felt like that about someone else feeling like this about that. Do you understand?
ROMANA: Yes.
DOCTOR: What do you understand?
ROMANA: That the sooner we hand this over to the White Guardian
BOTH: The better!
GUARDIAN: My congratulations to you, Doctor.
DOCTOR: Oh, thank you, sir, thank you.
GUARDIAN: You performed your task with admirable dispatch. The universe has much to thank you for.
DOCTOR: Well, it was a pleasure, sir. Wasn't it a pleasure, Romana?
ROMANA: Doctor, that's not the President.
DOCTOR: What's the President got to do with it?
GUARDIAN: I can change my form or shape at will, my dear child. I appeared to you as the President so as not to alarm you.
DOCTOR: Just be careful who you're talking to.
ROMANA: Sorry, I
GUARDIAN: You have the Key to Time, Doctor?
DOCTOR: Ah. Oh, I have, I have indeed, sir. Do you like it?
GUARDIAN: Do I like it? Yes, yes, I suppose you could say that I like it.
DOCTOR: Yes, we're very proud of it, sir. Aren't we, Romana, proud of it?
ROMANA: What? Oh, yes, yes.
DOCTOR: What happens now, sir? You said, if I remember in our first conversation, that once it was assembled it would stop the entire universe and enable you to restore the natural balances of good and evil throughout the whole of the universe.
GUARDIAN: That is correct, Doctor. So, will you release the Key to me that I may do this?
DOCTOR: Certainly, sir, yes, certainly, of course. Key to Time, I command you. Could I ask you something, sir?
GUARDIAN: Yes, Doctor?
DOCTOR: It's just that, well, the Key is already assembled, sir. I mean, couldn't you restore the balances now?
GUARDIAN: Yes, Doctor, but I must have the Key for safe keeping. It is an awesomely powerful key.
DOCTOR: Oh yes, sir, yes, and mustn't be allowed to fall into the wrong hands. I quite understand, sir, yes. Key to Time, I command. What about the sixth segment?
GUARDIAN: What about it, Doctor?
DOCTOR: Well, I mean, as you know, sir, the sixth segment was in fact a human being, and I mean, if the pieces are maintained in their present pattern it means that she'll be imprisoned forever, sir.
GUARDIAN: That is, of course, regrettable.
DOCTOR: Very regrettable.
GUARDIAN: But with the fate of the universe at stake.
DOCTOR: Quite. You can't be too careful. I quite understand. Key to Time, I command that you stay exactly where you are!
GUARDIAN: Doctor! You have fully activated all the Tardis' defences!
DOCTOR: We can't be too careful, can we? And it would be a terrible tragedy for the universe if it suddenly turned out that I was colour blind.
GUARDIAN: Doctor, release the Key to me immediately!
DOCTOR: Unable to distinguish between the White Guardian and the Black Guardian.
ROMANA: Doctor, what do you mean?
DOCTOR: Look.

DOCTOR: Don't you see? The White Guardian would never have had such a callous disregard for human life.
ROMANA: Of course. Astra, the sixth segment. He would have dispersed it immediately.
GUARDIAN: Doctor, you shall die for this!
DOCTOR: I think not. Remember, the Key to Time is still mine, rage all you like.
GUARDIAN: I shall destroy you for this! I will disperse every particle of your being to the furthest reaches of eternity!
DOCTOR: Ah well, I wish I could stay and watch you try, but you know how it is. Places to go, people to see, things to do. Romana?
ROMANA: Yes?
DOCTOR: When I give the signal
ROMANA: Yes?
DOCTOR: Dematerialise.
DOCTOR: Now!

As a child I was sorry to see the Tracer go having go used to it throughout the season.

Appearing in this episode only as The Black Guardian is Valentine Dyall.

Known for being the Man in Black, the narrator of the BBC radio series Appointment With Fear, his distinctive voice has been heard in many productions including Captain Slarn in the Doctor Who radio serial Slipback, Norl in the episode City at the Edge of the World in Blake's 7 and Deep Thought on the TV Hitch Hikers Guide to the Galaxy as well as Gargaval on the radio version. He'll be back for Mawdryn Undead, Terminus & Enlightenment.

So Astra is reunited with Merak at the end of the story. The episode almost feels a bit odd returning to Merak, Shapp, the Marshal & his missile attack after their absence last episode. They could have done with something then to keep them in the picture and I imagine some viewers would have forgotten quite who they were by the time they pop up out of nowhere in this one.

I found this little epilogue on Atrios confusing as a child and it made me think the whole thing had somehow been a dream. I can vaguely see how my mind got there with the dialogue not being 100% clear what's going on as the key breaks up. The novel adds dialogue making it clear that the Doctor has ordered the key to be dispersed with Astra returned to Atrios.

Meanhwile the Doctor has gained a powerful new enemey so has come up with a way to evade him.

DOCTOR: You see? I think of everything.
ROMANA: Doctor?
DOCTOR: Hmm?
ROMANA: What exactly have you done with the Key to Time?
DOCTOR: Key to Time? Oh, well, I just scattered it round through space and time.
ROMANA: I see. So where are we going?
DOCTOR: Going? I don't know.
ROMANA: You have absolutely no sense of responsibility whatsoever.
DOCTOR: What?
ROMANA: You're capricious, arrogant, self-opinionated, irrational and you don't even know where we're going.
DOCTOR: Exactly.
ROMANA: What?
DOCTOR: Well, if I knew where I was going, there'd be a chance the Black Guardian would, too.
ROMANA: Oh.
DOCTOR: Hence this new device.
ROMANA: What is it?
DOCTOR: Well, it's called a randomiser and it's fitted to the guidance system and operates under a very complex scientific principle called pot luck.
DOCTOR: Now no one knows where we're going. Not even the Black Guardian.
ROMANA: Not even us.

I can see what they're getting at here, a device to explain why the Tardis keeps turning up in random places. But the first place it takes the Doctor to is somewhere very familiar to him, then it's straight back to Earth with lots of very controlled journeys in Time (City of Death) and space (Horns of the Nimon, Shada). I'm guessing then that the randomiser can be overridden!

Watching the episode again now there's not a lot that stands out to me. Yes the Black Guardian confrontation is good, especially the concept that he'd disguise himself as the White Guardian to obtain his goal. This episode isn't just the climax to the story, it's the climax to the whole season long Key to Time story and somehow it's just not up to the job. There's no real sense of the spectacular to it, with a minimal cast, no location filming. We get one special effects shot of a spaceship here, when showing a legion of Zeon ships earlier in the story would have added to the scale. Scale really is the problem here, oddly enough for an episode that features shrinking, in that for such big concepts it really is an up close and personal episode.

As an experiment the Key to Time generally works as a season long story for me. The problem is it flags a little towards the end. Linked stories will be tried again in the future but never anywhere near as long as this.

This episode contains a whole bunch of lasts for the program. It's the last appearance by Mary Tamm as Romana, who felt her role hadn't developed as planned. The dates on her Wikipedia page also indicate she was pregnant with her daughter at the time so that may have been factor as well. However since Romana was a Time Lord it would be easy to just regenerate & recast her..... She recommended Lalla Ward, who appeared as Astra in this story, to take over the role.

The Mary Tamm Romana was the first companion I ever saw on screen so I may have a certain bias, but I think she's done a fine job and would have loved to see her do more.

Mary Tamm died on 26th July 2012.

It's also the last appearance, for the time being, of John Leeson as the voice of K-9. Next season K-9 is voiced by David Brierly who then leaves allowing John Leeson to return to the role in The Leisure Hive.

This episode is also the last to be credited to script editor Anthony Read and by the time this episode was completed his successor, Douglas Adams was in place. Read would return to write one of the stories broadcast in the next season.

Armageddon Factor is the last story written by the partnership of Bob Baker & Dave Martin who had been writing together for Doctor Who since 1971. I've struggled with some of their stories, The Mutants and the Underworld in particular, but am rather fond of The Three Doctors and most of Hand of Fear, though that goes off the rails a bit too in episode 4! Bob Baker will be back next season with another story, but it is the last we'll hear from Dave Martin who died in 2007.

This is the last broadcast six part Doctor Who story: another was intended to close the following season but as we'll see industrial action prevented it from being completed. *Technically* 1985's The Two Doctors, broadcast as three 45 minute episodes, is the equivalent of a six parter but.... As a consequence of this being the last broadcast six part story, it's thus the last broadcast Tom Baker six parter and so is the last time we'll hear the middle eight (the extra bit) on the original Tom Baker end titles. A regular musical cue in earlier Doctor Who title sequences it's only used on six part Tom Baker stories, usually on the final episode.

This episode completes Tom Baker's fifth season on Doctor Who, taking him past Jon Pertwee and making him the longest serving Doctor Who in terms of time.

The Armageddon Factor was novelised by Terrance Dicks. It was released on video in June 1995 on the same day as the preceding story, Power of Kroll, to form the final pair of released stories from the Key to Time season, with The Ribos Operation & The Pirate Planet coming out in April of the year and followed by Stones of Blood & Androids of Tara in May. The Key To Time season was a set of releases which came with a specially designed spine picture that ran over all six title. While there has never been a video boxset release of the Key To Time, it's only ever been available as a boxset on DVD. In October 2002 all six Key To Time stories were released in Region 1 with minimal extras & restoration to help satisfy the American demand for Tom Baker stories. The Key to Time was then released as a special edition, numbered & limited to 15,000 with brand new extras in Region 2 on the 24th September 2007, which sold out very quickly with this set commanding a premium price on eBay for quite some time. The Key to Time Box Set was reissued in a non limited edition in November 2009 and can now be had for a very reasonable price.

Two days after this episode was broadcast the Blake's 7 episode Hostage was shown.